Wendys mixed register above D5 becomes very strained a tense due to a more chesty style of mixing. How about 4.06 Eb5? Above A4 she tends to start becoming quite tense., I dont know why but I know this song lol anyway mhmm shes not yelling but she also has no sense of support. The song has a really comfortable mix range from G#4 to B4, which she handled as well as she always does. Hi. Your replies were very insightful . Voice is a bit shaky in general due to a lack of proper muscle development in her throat which causes poor projection, Consistent and best sense of support throughout her mid-range (up to the C#5) in the group, Consistently resonant throughout her mid-range (up to the C#5), Most developed lower range in the group --> supported down to G#3, Strong sense of pitch and can harmonise very well, Sings with a pretty balanced mix so she is less pushy than Solar and Hwasa, This balanced mix also means she can belt above her supported range with better placement than the other members of MAMAMOO, Sings above the C#5 with a raised larynx, can become a bit pushy, Becomes quite breathy below the G#3 and lacks projection there, Has not produced a connected head voice and hence lacks support in her upper register, Consistent and full sense of support throughout her mid-range (up to the C#5), Good ear which helps with her strong harmonising skills, Sings above the C#5 with a raised larynx and a good amount of squeeze which causes her higher belts to sound a bit yelled, Is pretty pushed and can be tense due to an overly chest-dominant mix, Lowers her larynx and becomes breathy below the A3, Consistent and full sense of support throughout her mid-range (up to the C5), Pretty consistently resonant throughout her mid-range (up to the C5), Is way too chest-dominant so when she sings above the C5 her larynx raises and she pushes a lot, Even in her supported range, she can be airy and throaty. Bur anyway, isnt Wheeins mix more developed than Wendys because she consistently places her sound very forward, opens her throat, and has a large resonance? 0:31 onwards, did she miss something? Because Wendy is able to support her voice moderately low she is fairly comfortable with phrasing in her lower register and is still able to maintain tonality most notably in Be Natural. Wendy easily phrases her way down to an Eb3 without any major lack of tonality just a slight fry quality for style. Oh, im sorryyyy, that was rude of me. I thought that Wendy would have the best head voice in Proficient, huh. Feel free to request the groups you would like to see next :). I think she did great and the song suits her voice. Is she support to f5 with head voice? Decent lower range too, supporting down to the A3 (although again a bit shallow), maintains tonality quite low, Sings with a very bright and heady mix in general which is a nice counterpoint to Wendy's mix, Can take her mix fairly high due to how light it is, Pretty nice and relaxed falsetto at times, Is consistently nasal (never really lifts her soft palate) and thin throughout her range --> prevents proper and full breath support, Raises her larynx above the A4 quite often, Versatility and power is pretty limited due to how nasal and heady her mix is. In her chest voice Wendy has a very strong connection to her support system this allows her legato to be very smooth and connected throughout phrases. Hi! No head voice --> often sings with a pushed falsetto. 99.9% of sub vocalists are weak vocalists. Also, thank you Pandayeu and Ahmin for answering our questions about Wendy even before her analysis came out ^^. Oh sorry I forgot to answer about runs. Theyre good but they also need people to acknowledge them. Theyre not a bad vocal unit but the gap amongst the members is quite noticeable. The first verse is sung in a range from A3-G3, and its the only moment in the song sung in the 3rd octave. Its nice, theyre both supporting nicely and consistently throughout. Wendys supported range is wider than Taeyeon, but why Taeyeons range is slightly above Wendy? Simply put, Wendy is a very well rounded vocalist with all of her register having a considerable amount of development balancing each other out fairly evenly. Oh really? Im curious just about the bridge and Wendys oh boooooy belt right after it. Her main problem is her inconsistent resonance that rarely occurs and is almost inexistant.Upper register: By far her most developed register. I hope in the future she gains more confidence and can really grow as a singer! I will point out though that Yeji has potential if she was more effective at lightening her mix. Did it have any support? When supported, the voice is freer and more relaxed than when there is a lot of pushing, tension, and strain present. That is indeed very possible but my guess is as good as yours since I wasnt able to follow her through it all. So to answer your question, yes because the only way to truly belt, even more so belting with support, is by using ones mixed voice. Oh okay. Based on the video i think shes supporting most of the note especially towards the end and i would like to hear your opinion about it ^^ thank you . Many have commented that she sounds weaker, do you think it is an issue of concern or is it merely fatigue due to the comeback schedules and their concert preparations? HV Vocalists: High head voice vocalists, https://www.youtube.com/watch?v=z9BgND63UqQ&t=56s, How To Sing Like Wendy Red Velvet (5 Brilliant Tips) - Learn How To, Girls' Generation's Vocal Analysis: Taeyeon [Newly Updated]. Just curious what note was wendy hit here https://youtu.be/maCdlXaDe-U at 0:15 thanks. This is a place to do vocal analysis of singers. Usually what people perceive as belting is a chest-dominant mixed voice, but a mixed voice nonetheless. Overall Wendys head voice is fairly well developed really only have issues with maintain an open sound and supporting above Bb5, however in pop music Bb5 is more than enough. ^ ^. Think of it like this if I tell you I have 5 eggs I definitely 3 eggs too right? (OBS: No sei falar ingls e no tradutor fica estranho). Their harmonies are nice. IZ*ONE: Strongest vocalists from the 4th gen groups I am familiar with (Yuri being the best 4th gen vocalist along with Monday). Future Analyses (No Longer Taking Requests), 0. Jiwoo https://www.youtube.com/watch?v=mz01Fe7HPys. (LogOut/ It has actually, so if you dont mind, what exactly are you wondering about this performance? Change), You are commenting using your Twitter account. The difference between her, Jungyeon and Seulgi isnt big. Because her other qualities balance it out. These are studio but its all we have for now sadly. Jihyo - 8.2. 1:08 Jei is definitely weak, no support at all. Wow. The boyfriend? -wendy from red velvet as well; my only complaint with wendy is that i feel like her voice lacks color. 1:45 she places her voice in her nose a lot, Hyemi. @pandayeu ahahah ur analogies have been on fire lately. Jei and Cao Lu are both weak, no support, just airiness throughout. Hyemi really has issues with the chorus. So here is a vid of Wendy singing Who you are on 2 occasions. Okay. My question is, how are Irenes, Yeris, and Joys singing technique? 2:16/17 Head voice, right? No, not at all Sohyang supports up to F6/F#6 and Wendy is A5/Bb5They arent even in the same octave. 3:27 C5 in head voice. So here are the individual analysis of the members : WENDY : Wendy is the Main Vocalist and considered the best vocalist of Red Velvet with the most lines in their songs and albums, and one of the strongest vocals of the new generation. She also seems to enjoy to do runs as she tends to sing songs in which she can show off her agility such as Who You Are by Jessie J and Halo by Beyonce. Thank you so much, But, would she rate higher if she is more consistent in resonance and her headvoice hasnt decline ? Lunas head voice is better. Im sorry but Im not really sure, I think she could be in between if that were the case. Its very repetitive. I know that the range is pretty comfortable for her, but did she achieve resonance on any of the notes here? Whos better technically in this song Delta Goodrem, the voice Australia coach or Wendy? No, she did not. Her main issues lie in her inconsistency with her resonance and not always maintaining a very forward and open sound in her mix and head voice. We dont really answer video questions regarding non Kpop vocalists. This is most likely due to that she is not always completely opening the back of her throat consistently when singing in her mix for example in her performance of Happy Me with Huh Gak she transitions from a mixed B4 to a C5. Even if you dont see them I definitely have 3 eggs because the only way I can have 5 eggs is if I have 3 eggs as well. It wasnt a decline, but simply an off day. Though she cant produce resonance and they can resonate on D5 consistently. Just trying to help, both of them are F#5s I believe. 0:28 is that Jei singing in the middle? But its your decision, I respect it. Thank you. Hyolyn: Sistar score: 9.5/10 tier: Proficient/Good peak: Good supported range: F#3/G3 ~ Eb5/E5 ~ rare head voice commentary:. I like this song haha. Not always because it might that I have a more extensive mixed voice but I have less developed technique and strain much earlier than you do. 3:29 again air, no support. Hello! Hey everyone! Now as for main and lead vocalists, Jihyo has established a strong sense of breath support. What the?! SHINees Key can mix even C#5, I can barely get A4 out in a song. Ah, thank you so much!! HOW HAVE I NOT HEARD OF THIS? (LogOut/ Another example of Wendys inconsistency with her resonance within her supported range would be her C5 in her performance of Dear Mom with Tiffany. its not that theyre bad, but theyre not the best, most talented female idols [says me, a mamamoo stan]. Yes and her support isnt strong so her vibrato is very wobbly. If I had to rank them, Linzy > Yezi>/Hyemi > Jei > Cao Lu for sure, in terms of support because thats all these girls have against one another, since Linzy is not that far ahead of them., Her support isnt very strong from the beginning but its somewhat low, so she sounds comfortable and relaxed even if her support isnt strong. Hello friends a quick question in the support video that ahmin posted it said you have to let go all the tension to support right but how Wendy can have strong sense of support if she sing with a lot of tension sorry if the question sounds stupid. 3:47 throat from Bb4 to Eb5. Vocal line did record a singing tv show a little while ago, hopefully Wendy get to show off there. Hi. They are not shrill, but they could be more opened. Seulgi's Vocal Analysis Vocal Range C#3~ D6 (3 octaves and 1 semitone) Supported Range G3/G#3~ A4/Bb4 Voice Type Soprano Strengths/Achievements Ease in the lower register Able to maintain tonality below G3 Able to support her voice up to A4/Bb4 Decent pitch Stable legato singing Good Ear Weaknesses Inconsistencies within supported range Overall Wendys head voice is fairly well developed really only have issues with maintain an open sound and supporting above Bb5, however in pop music Bb5 is more than enough. Either way we have an awkward note name, Cb for B or E# for F. 2:04 I hear a chord thats not within the diatonic key of the song so it makes sense that she borrowed notes from another key, which was how there was a D natural in this specific line of the song. 1:02 then Seulgi comes in, her tone is nice and bright, but its brighter and less chesty than Wendys, she places her voice a lot more heavily in her nose as well. Theres unfortunately no change to their technique. Wendy (Red Velvet) - Vocal analysis: Vocal type: Soprano Supported range: F#3/G3-D5-A5 Low register: One of the most developed low registers among kpop sopranos. Soprano is as much as we need to know for them as contemporary vocalists. Elkie never seemed to be even as good as her so Im not sure. Openness has more to do with throat shape and the actual space one gives themself to sing, whereas tension has to do with squeezing and pushing. Simply put, Wendy is a very well rounded vocalist with all of her register having a considerable amount of development balancing each other out fairly evenly. can you just hold that one note to add climax in a song, with a gradual descrendo(?). Im so sorry I took so long to be able to answer this question by the way, I was trying to avoid video questions until I was done with finishing Park Hyoshins vocal analysis. Her greatest strengths are that she has a very strong sense of support, ease in her lower register as well as her head register and her ability to do fairly accurate runs. 0. It was a well executed head voice A5, it is not outside her supported range. Is this because Taeyeon is more consistent in resonance? We havent gotten many live performances yet but how are the songs in the studio? Mirror is a cool song though, I kinda like it. she's very talented and could outsing most everybody, but her voice lacks that wow factor for me. Pretty consistent but shallow support up to the A4. MH Vocalists: Mid-range head voice vocalists, Can easily vocalize in the C6 and above range, Capable of doing complex runs with good flow and pitch accuracy, Head voices seems to have decline since debut. 2:50 yeah Jei is weak in her approach, I like Linzys line musically. Oh my god. Not being open and singing with tension are different. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Enter your email address to follow this blog and receive notifications of new posts by email. Especifically for Joy, Seulgi and Wendy parts kamsahamnida! Also, would the nodule be whats causing her to be less open or is that just how she sings. Now, as the main vocalist of Red Velvet Wendy is known for her rich, soulful voice and R&B style. -D5/Eb5, -D5(Eb5), or still C#5/D5? I didnt notice any notes below Gb3. The full extent of Wendys lower register reaches Eb3 and the extent of her ability to support is F#3/G3 which fairly decent develop in the lower register for a Soprano. This is a much better song for her current vocal skill, range wise and vocally speaking, its a lot simpler and a much better fit. Her main issues lie in her inconsistency with her resonance and not always maintaining a very forward and open sound in her mix and head voice. This song is hardly challenging in range for a female so tbh its just preference. Her head voice is more resonant and connected. Shes at most a lower average vocalist or weak to average. Despite being able to pull off fairly consistently she does have some off moments for example her runs in Shake That Brass.. I just wonder how you would rate her vocal debut era and Halo era. What note is it supposed to be? https://youtu.be/TsVtqpEPoiw I wanted you to give me an opinion about the vocal twice, since at the moment there are many comments that say they are heavy and want to know how true this is. I asked because for me this website has the most accurate vocal analysis hehe. I have been a silent reader of this blog for a long time and I really appreciate all your works even the way you guys respond to questions and trolls haha. Someone does a piano version and he also plays Eb3. Oh I seeso even Taeyeons approach is slightly better than Wendys. She needs training. At 0:50 she also did G3 and G#3s might there be any support there too? Wendy has shown she is capable of doing complex runs for example her runs in Halo by Beyonce as well as the Red Velvet song Red Dress from The Red album. I just like her notes better because of her resonance. She cant support Bb5, nor higher or at least hasnt so arguably, no. She also has a very solid and full sound in the chest voice with very minimal airiness. Now let's see both groups vocally without the two. All I heard was like Bb4. Simply put, Wendy is a very well rounded vocalist with all of her register having a considerable amount of development balancing each other out fairly evenly. 3:23 definitely tense that C5, pushed. MAMAMOO: As a unit, they are the strongest 3rd gen girl group which is helped by all of them being roughly the same (quite high) skill level and singing in similar styles which enables easier harmonisation. I am now making an analysis on the most requested 3rd Gen Girl Groups, namely RV and MAMAMOO. I dont think a performance with choreography is an appropriate performance to assess that. I believe its supposed to be D3, but I honestly only hear air. Again I dont really have time right now but Im watching Saving All My Love, 0:47 and 0:52 the C#5s are kind of shouted already, they have a more even mix, not very chest-dominant, but the tension isnt being addressed and she isnt supporting well, the larynx isnt neutral. Her technique is only average. Shes making it a hybrid of Ah and Uh. For instance, B4 in Monster encore stages is very nasal and closed preventing proper support (although it was somewhat relaxed), She is nasal throughout her range and hence has never produce a resonant and open sound, Nasality becomes very prominent in the 5th octave, Drops support below the G3, becomes breathy and struggles to project below here. I just really like the sound of that certain note. Wendy has also shown she is able to support herself up to Eb5 for instance in her performance The Only Thing I Can Do on Duet Song Festival. However, this is all balanced by the sheer overall development of her register making those issues almost minor. She also seems to enjoy to do runs as she tends to sing songs in which she can show off her agility such as Who You Are by Jessie J and Halo by Beyonce. Im just a worried fan huhu. She does not have better technique than Sungyeon. I just wanna ask if hows wendy does here? Have you heard her solo in the newest (Rookie) album? when wendy start to show n master her resonance in her mix, shell be unbeatable.. She might have been aiming the sound into her head for head placement but it sounded mixed. Thank you, would you say shes up there with Yerin, and Kyungsoo for agility? I understand ahmin. Ai muito obrigado pelos elogios! If you mean the parts on the frOOOnt lines and the bOOOmb drops, those are C#5s. Strong lower register, carrying support down to the F#3 is very good for a soprano and she has tonality down even lower in the 3rd octave. She seems to have lost some of that richness and fullness in her voice. Its too high. guys, Wendys new MV. Im so happy. This was a good read! But I think shes close to Luna^. All she needs is rest. Do you have any idea as to who was the one that was doing the lower harmony in their stickwitu acapella? 2:14 that E5 was just shouted. Though Im so proud of her, but I think she is overrated. Although Wendys head voice extends up to a G6 she is only able to support up to Bb5 which by pop standards is very good, definitely above the average.